Having distilled his own signature sound of blues and folk for over 40 years, Chris Smither is truly an American original. A profound songwriter, Chris continues to draw deeply from the blues, American folk music, modern poets and philosophers with this 14th record of his lengthy career.  From his early days as the New Orleans transplant in the Boston folk scene, through his wilderness years, to his reemergence in the 1990s as one of America’s most distinctive acoustic performers, Chris Smither continues to hone his distinctive sound. He has always traveled his own road, eschewing sophisticated studio tricks and staying true to his musical vision.  He has developed and maintained loyal friendships over the years with kindred-spirited musicians like Bonnie Raitt and the late Stephen Bruton while at the same time throughout his career been inspired by and inspiring to today's next-generation of musicians. Reviewers continue to praise his dazzling guitar work, gravelly voice and songwriting. The New York Times: With a weary, well-traveled voice and a serenely intricate finger-picking style, Mr. Smither turns the blues into songs that accept hard-won lessons and try to make peace with fate.  

June 19, 2012 marks the release of Hundred Dollar Valentine  – and this, Chris’ 12th studio record, is a masterwork.  It sports the unmistakable sound he has made his trademark:  fingerpicked acoustic guitar and evocative sonic textures meshed with spare, brilliant songs, delivered in a bone-wise, hard-won voice.  It is also his first recording to feature all Smither-penned, original songs.  Along with longtime producer, David “Goody” Goodrich, other featured musicians on Hundred Dollar Valentine are drummer Billy Conway (Morphine, Treat Her Right), Jimmy Fitting on harmonica, and Goodrich’s ex-Groovasaurus bandmates, Anita Suhanin (vocals) and violinist Ian Kennedy (Page/Plant, Lemonheads, Juliana Hatfield, Peter Wolf, Susan Tedeschi).